Blue Dress Park 2000

Blue Dress Park 2000
Installation dimension: variable
naming rights ceremony, four-color invitation

Blue Dress Park represents a shift in Druecke’s work from material production to emphasizing the impact words and naming rights can carry when combined with social gatherings. On June 30th, 2000, an empty wedge of concrete located on the southwest corner of Holton and Reservoir in Milwaukee, WI was christened Blue Dress Park without alteration to the physical space. Official sanction was not sought but city officials were invited to the event including the Mayor of Milwaukee, the head of the Park’s Department along with other local officials, neighbors, friends, and art-world dignitaries.

Invitation, the full-page fold out image re-imagines the space as a conceptual playground

Selected images from Christening Celebration. Photo credits: Pete DiAntoni

Blue Dress Park has served as a space to explore grass roots potential to effect perception of shared resources, in this instance, public, if extra, space. On the ten-year anniversary of the christening, the Friends of Blue Dress Park came together as a collaborative experiment in board structure focused on the legacy of ephemeral art interventions. Blue Dress Park remains, 20 years later, a place without purpose and thereby a space comprise of pure potential.

The project was written about in Art in America and Roger White’s book, The Contemporaries.

Front of invitation to Christening Celebration 2000

Blue Dress Park 2010
promotional image for the Friends of Blue Dress Park